
Hi, it's Simon here. I've been capturing weddings for 6 years and photographing on film for 16. So I know a thing or two about it.
I’m drawn to the moments that don’t last long — the ones that slip by quietly, or unfold before you even realise they’re happening. A wedding day is full of them. Not just the big, obvious milestones, but the subtle in-betweens: a glance, a pause, an energy shift. That’s what I’m there for.
My work is rooted in creating something that feels tangible and tactile — images you can almost hold. I photograph the day not as an outsider, but from the perspective of a guest, or someone close to you — immersed in it, experiencing it as it unfolds. I’m paying attention to the gestures of love that often go unnoticed: the way hands find each other, the quiet embraces, the body language that says everything without words. I’m not just documenting what’s important to you, but also what feels important in the moment — because that’s where the honesty lives.
I work with a blend of digital, 35mm film, medium format, and Polaroid. Film is imperfect and unpredictable — that’s part of its pull — but it’s also deeply technical. I have a strong understanding of how to control it, how to shape light and exposure, and how to create the image I’m looking for with intention. There’s a confidence and conviction that comes with using a medium you can’t instantly check — it’s about trusting your instinct, knowing you have the moment, and moving forward. That process gives each frame a sense of weight and presence that’s hard to replicate.
There’s no urgency in how I shoot. I wait, I watch, and I trust that moments will come. It’s about being in the right place, at the right time, with the awareness to recognise something meaningful as it unfolds — and to capture it in a way that feels true to you. I don’t chase perfection. Weddings aren’t perfect — they’re real. And that’s where their beauty lies. The aim is always to create a body of work that reflects your day truthfully, with all its character and feeling intact.
In the end, I want your photographs to take you back — not just to what happened, but to how it all felt. That’s the intention behind everything I do.

